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Imagine turning your iPhone into a pro-video studio, capturing footage like a cinematographer—with full control, low noise, cinematic color, even RAW, and then editing multiple angles live. That’s Final Cut Camera 2.0. Whether you’re a filmmaker, content creator, or just someone who wants better video, this app might change how you shoot video forever. Stick around: we’ll walk through every major feature, how to use them, what’s new, and whether it’s worth it — and at the end, we’ll show you how to download it and get started today.
Manual Controls & Image Quality
Without losing any time, let’s see how you
can set all the controls, and we will talk about the rest in the following
chapters.
First of all, choose the desired frame
rate.
We are using 25 fps in our video, which, by the way, features content
shot with the app.
If you go for a higher frame rate with
ProRes, the app tells you that you can’t internally.
Instead, you have to use a fast external
SSD to do so.
If you want to save space but still record
in LOG, you can by choosing HEVC H.265.
It’s still 10-bit but not 4:2:2.
Then, you can naturally choose the
resolution.
We recommend you always shoot 4K, even if
you only export HD for social media.
With 4K, there’s more room to crop or pan
without using digital zoom in post-production.
We recommend you usually leave focus to
auto, unless you are doing a close-up video, where you will need the accuracy.
But don’t forget to return it to auto!
If you don’t, everything will look blurred!
You can also manually set exposure.
In general, be it day or night, setting
this to -0,3 will help you protect highlights.
Then, there’s white balance.
If you are shooting a single clip or are
unsure, leave it in auto.
If you are shooting many clips and want to
match WB in editing later, use a custom value.
During the day, 5600 Kelvin is usually a
safe option under the bright sun.
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Monitoring Tools & Framing Aids
If you wish, you
can use focus peaking and overexposure/zebra indicators.
In a
fast-shooting scenario, we only use the zebras, as they are a good indicator of
over-exposure, but as we said in other videos, many find zebras distracting, if
not annoying!
It’s good to enable aspect ratio guides, grid overlays, and tilt/roll indicators.
It generally helps with composition in these cases where the video leans to the left or right. No, there’s no horizon lock like there is in some action cams; you have to keep the horizon line straight! Naturally, if you enable stabilisation, you lose a small amount of the frame.
With Log video
preview, you can apply LUTs (look-up tables) in preview to see how Log-encoded
footage will look even before post.
These are not
burned in the video, meaning what you see is only a preview of what the result
will be when you apply the LUT to your editing suite of preference.
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New features - System Requirements &
Downloading
The app works both as a standalone video camera app and integrates
with Final Cut Pro for iPad via Live Multicam, which means you
can wirelessly connect up to four devices running Final Cut Camera to your
iPad, capture multiple angles, preview them live, and later edit them
seamlessly.
It’s free on the App Store, but some
features require specific iPhone models or newer iOS versions.
To get started, simply head to the App
Store, search for “Final Cut Camera”, and download it for free.
Now, a quick note on compatibility: the app
requires iOS 17.4 or later just to run. But if you want the newest and
most powerful features, you’ll need iOS 18.6 or newer, and in some cases
even the very latest iOS 26 update. On top of that, certain tools are hardware-specific.
For example, only the iPhone 17 Pro and Pro Max unlock things like
ProRes RAW recording, full-sensor open gate capture, and those extended
telephoto lens options.
Here’s the good news for iPhone 17 Pro
users: you can now shoot in ProRes RAW. That means recording at a 4:3
aspect ratio, 12 megapixels, with the freedom to later crop down to 1:1
or 16:9 in post. But keep in mind — because RAW bypasses all processing,
there’s no stabilisation and no noise reduction applied
in-camera. If you’re shooting handheld, that matters. The upside is that
Apple’s sensors are clean at low ISO, so you’ll still get noise-free footage.
And here’s a detail advanced users will
appreciate: constant frame rate recording is finally possible with
ProRes RAW. For us, that’s one of the most important upgrades. Unfortunately,
it’s exclusive to the iPhone 17 Pro lineup — not even the 16 Pro supports it.
For those who don’t know it, there’s an
invaluable free program, Media Info, which you can use to see details like
resolution, codecs and frame rate.
https://mediaarea.net/en/MediaInfo/Download
Genlock: you
sync multiple cameras or video sources with precise frame alignment — great for
multi-camera setups, but you have to buy extra hardware and know how to use it.
Timecode options:
You can select Time of Day, Record Run, or
use external timecode for tagging & synchronisation.
Wider lens options, like a new 200mm
telephoto, for better reach.
All these are not toys that the everyday user
will appreciate, as they mostly make the phone not portable at all.
Advanced users or professionals, on the
other hand, will use them.
Putting the iPhone on a rig is a camera setup that is often cheaper than buying even a mirrorless camera that records ProRes RAW.
Workflow: Playback, Live Multicam & Transfer
Live Multicam: You can connect up to four devices running Final Cut Camera to an iPad with Final Cut Pro. All devices must have WiFi & Bluetooth on, signed into an Apple account. Importantly, you don’t need them all on the same network.
While recording, you get preview (proxy) streams from each device so you can see all angles live on your iPad. You can control exposure or iso remotely per angle.
When the recording ends, the high-quality footage (source media) is transferred in the background, replacing the proxy previews. This helps in editing immediately, even while transfers are still completing.
Here is what we mentioned earlier that will be beneficial: The constant frame rate.
If you are not a video editor by
profession, like we are, you can’t imagine the nightmare of trying to sync 3
cameras, or more, that lose frame rate! Sometimes it’s impossible, and we had
to resort to cuts and inserts to save the material!
You can save recordings to Files or
directly to a connected external storage device (SSD) if your iPhone supports
it.
When using multiple devices in Live Multicam, once file transfer completes, you can immediately start editing in Final Cut Pro for iPad.
File sizes can get large with ProRes, RAW, etc., and using external storage helps, but management is key.
Battery & heat: pushing high frame rates, Log capture, stabilisation, etc., may increase power draw and heat.
Even on the day we recorded these samples, with the temperature at 21 degrees Celsius, the iPhone was hot in our hands, and the battery percentage started dropping.
Learning curve: With manual control comes more decisions. If you’re used to letting the phone do everything, you’ll want to spend some time getting comfortable with the exposure / ISO / white balance / manual focus settings.
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